Sublimation or screen print: which should we use on polyester activewear, and which on cotton tees?

Share

Flat illustration of a printed T-shirt, a screen-printing frame and a squeegee

Sublimation or screen print: which should we use on polyester activewear, and which on cotton tees?

Sublimation dyes the fibre and needs polyester, while screen print sits on the surface and suits cotton. Match the method to the fabric, and test heat, washing and rubbing.

Printing, Trims & DecorationKnitwear Talk3 min readKnitwear Base Editorial Team
Flat illustration of a printed T-shirt, a screen-printing frame and a squeegee
Buyer question

We plan all-over prints on polyester running tops and a chest print on cotton tees. A decorator says sublimation for both. Which method suits which fabric, and what should we check?

Main answer
Knitwear Base Editorial Team
Main answer

Sublimation and screen print put colour on a garment in different ways, so each suits different fibres. The decision starts with the fabric: polyester, cotton or a blend. Choosing the method before the fabric is a common reason for dull or cracked prints.

How sublimation works

In sublimation, dye is transferred with heat and goes into polyester fibre rather than sitting on top of it. It gives soft, stretchy, all-over prints with no added layer, and it works best on white or light polyester. Cotton does not take the dye in the same way, so colours on cotton or low-polyester blends tend to be dull or fade.

How screen print works

Screen print pushes ink through a mesh, one screen per colour, so the colour sits on the fabric surface. It works on cotton and blends, can be opaque on dark colours and is a good choice for chest logos and simple graphics. It adds some surface feel, and heavy ink layers can reduce stretch on performance fabrics.

Pairing method and fabric

For polyester activewear, sublimation suits all-over and detailed prints, while screen print can work for a simple logo if the ink stretches with the fabric. For cotton tees, screen print is usually the safer route. Ask the decorator to print on your actual fabric, not a stock sample.

Colour and cost

Sublimation dyes are transparent, so the printed colour depends on the colour of the polyester underneath, and white or light fabric gives the truest result. Sublimation does not need a screen for each colour, so a many-coloured design may cost little more than a simple one, while screen print generally costs more as colours are added. Ask for quotes at the quantities you plan.

Tests to request

Request colourfastness to laundering, ISO 105-C06, rubbing, ISO 105-X12, perspiration, ISO 105-E04, and dry heat, ISO 105-P01, which is relevant because heat is part of transfer and pressing. Check the print after several washes. On dark polyester, ask whether dye migration was tested.

What to approve

Approve a washed print on the final fabric and record colour reference, print size and position, and washing instructions in the tech pack.

Sources and further reading

Standards and rules are summarised from their published scope or official guidance. Use the current edition and confirm requirements for your market.

Three perspectives on this question

Knitwear Base Editorial Team
Purchasing perspective

I'd ask each decorator to print on our real fabric and send washed, rubbed and heat-tested samples before we agree a method.

Knitwear Base Editorial Team
Merchandising perspective

All-over prints sell on activewear, but a cotton tee that looks washed out in the first week costs more than the print saved, so match method to fibre.

Knitwear Base Editorial Team
QC perspective

We'd check colour, edge sharpness and hand feel on washed pieces and compare them with the approved print, especially on dark polyester.

Working on a similar program?Send your tech pack, fabric references and test requirements. We reply with a quote and the questions we need answered.

Contact Knitwear Base

Related products

Recycled Yoga Fabrics: Claims, Documentation and Reorder Control

Buying a recycled yoga fabric involves two approvals: evidence for the material claim and evidence that the fabric works in the intended garment. A chain-of-custody document does not establish opacity, recovery or waistband behavior. A successful fit sample does not establish recycled content. Keep the records linked by article and lot, then review both when

Read More »

Brushed Yoga Fabrics: Pilling, Abrasion and Hand-Feel Retention

A brushed yoga fabric may offer a soft surface that buyers and customers notice immediately. That first impression should be compared with how the surface behaves after friction and care. Pilling, abrasion damage, shedding and loss of hand feel are related concerns, but they are not the same property. This guide focuses on brushed studio

Read More »

Matching Yoga Sets: Shade Approval Across Different Fabrics

Matching a yoga top and legging is a paired approval, especially when the pieces use different fabrics. Two fabrics can each sit close to a shared color standard yet look noticeably different beside one another. Surface, structure, finish and stretch all influence the comparison. Keep a master color target, but approve the finished pair as

Read More »
Scroll to Top
Leave Your Message